The Papers of Edward William West reflect his interest in Pahlavi language and Zoroastrianism. The majority are handwritten notebooks and other manuscripts in which he did his work. These often have many inserts. There are also loose handwritten notes, some correspondence and some printed material.

The manuscripts compiled by Edward William West. Many of these were listed by de Menasce. West was interested in many topics which are reflected in these manuscripts.

The Papers consist of five typed article and chapter drafts.

Extracts from letters sent from Bombay 1662-1678 from the India Office Records with a compliment slip from L.M. Anstey. Typed material, 12 pages plus compliment slip which is dated 6 November 1924. With these letters is a handwritten note initialed by Rawlinson, suggesting that Dr Spear of Sir Patrick Cadell would make a good article or to put in the Journal of the Royal Asiatic Society as "Selections from Bombay Archives". Note is undated.

"The Capture of Bassein 1739". Manuscript of article concerning the capture of the Portuguese fortress of Bassein by the Marathas. Manuscript has author's name as H.G. Rawlinson at its end and at head of article H.G.R. has been annotated. Typed, 6 pages, undated.

The Kingdoms of the Deccan - an incomplete manuscript with annotated heading Chapter XXII Part I, and "By H.G. Rawlinson". It has 110 numbered pages and has further inserted pages. Typed with handwritten annotations, undated.

"What Happened in India in 1857 by H.G. Rawlinson C.I.E., Author of India, a Short Cultural History, British Beginnings in India, etc." It has Rawlinson's address as London, so presumable written after his return to England. Article manuscript, typed with annotations, 11 pages + title page, undated.

Correspondence concerning the identification of the portrait, The reception of Lord Amherst by Rup Lal Mallick, by William Henry Florio Hutchisson. The painting, at the time of the correspondence, was owned by Major-General Sir George McKenzie Franks. The material consists of:

• A photograph of the painting mounted on brown card.
• Letter from Major V. Hodson to Sir Patrick Cadell to give his opinion on who might be present in the painting. He recognises Colonel Duncan Macleod and names other possibilities. With the letter is a pencil sketch of some of the figures and his identification of those numbered. He also writes of a possible date and occasion. Typed letter, dated 13 July, 1947.
• Letter from Sir Patrick Cadell to Sir Richard Winstedt to write of the information he has obtained from Major Hodson. The letter records that the photo was sent to Winstedt by a Mr Sheppard. He also adds thoughts from other sources, but admits beyond the information he's provided he cannot help further. He suggests contacting C.E.A.W. Oldham or W. Foster. Handwritten letter, 7 sides, dated 18 July 1947.
• Note from Sir Richard Winstedt to Sir William Foster to ask him if he might be interested in the material and be able to identify the painter. Handwritten on Royal Asiatic Society headed paper, dated 30 August 1947.
• Letter from Sir William Foster to Sir Richard Winstedt in which he suggests that the artist might be William Henry Florio Hutchisson. Typed letter, dated 1 August 1947 (Probably 1 September 1947).
• Letter from Major-General Sir George McKenzie Franks to Major Sheppard in which he writes of new information that he acquired about the picture from a book he had been lent by a Mrs Brabazon with reminiscences of her ancestor, General Sir George Bell. In the book is an account of an event in 1827 in Calcutta which fits with the details of the painting. This dates also fits with the time that Franks' great-grandfather was in India. The description gives clues to other people present and that the event was hosted by Rup Lal Mallick. With the letter is a typed copy of the appropriate section from Bell's memoirs. Typed, 4 sides, dated 16 September 1947.
• Letter from Major-General Sir George McKenzie Franks to Sir Richard Winstedt to update him on the material that has been found describing the events of the painting. He invites Winstedt to view the painting if ever in Ireland. With his letter he sends a list entitled 'Notes on colour of uniforms, etc, with reference to numbers on tracing'. Typed, dated 22 September 1947.